Hillbilly Elegy: a memoir of a family and culture in crisis by JD Vance
Appalachia. No place like it. A place often romanticised and, consequently, misunderstood. A place that holds deep secrets and unspeakable tragedy.
12.2018 | Peter van der Walt
Science fiction becomes science fact
First the dreamers, then the engineers … how much of the technology in our lives today do we owe to stories of an imagined future?
12.2018 | Alistair Duff
Superhero films − how big genres live and die
Although the superhero genre has been around since the mid-1940s, over the past two decades these films have occupied the top spot among all genres available to us, on the big and small screen alike.
11.2018 | Lee Blake
Travelling through Africa with a salty narrator
Arja Salafranca reviews Zukiswa Wanner’s Hardly Working, a travel memoir brimming with astute observations and wry humour.
11.2018 | Arja Salafranca
The profit made from war and words
It is in documenting our conflicts that propaganda first began.
06.2018 | Lee Blake
But like, you know, how did it take over the language?
We all use them… even though we are not specifically aware of doing so.
06.2018 | Peter Dearlove
Don’t worry about the last fish in the sea
Catching the last fish in the sea should be the least of your worries. Here’s why.
06.2018 | Jon Stilwell
Observations on the entrepreneur and the corporate animal – a biased view from an entrepreneur
Is time of less value in big buildings?
05.2018 | Nicole Wills
An analysis of President Donald Trump’s use of language
Is Trump’s unique brand of presidential oratory deliberate and strategic, is it the disjointed output of a disordered mind, or is it something else?
04.2018 | Tiffany Markman
Anger Series: Kids and anger – let’s get them while they’re young
To address issues of violence, we need to start with children, and boys in particular. As social reformer, writer and statesman Frederick Douglass said: “It’s easier to build strong children than to repair broken men.”
04.2018 | Martin Scheepers
My Special Place Series: Georgina Thomson
Paris and home – two very different places, but both are special places for Georgina Thomson, director of Dance Forum.
01.2018 | Arja Salafranca
AI Series: The impact of artificial intelligence on our work identity
The rise of advanced artificial intelligence is real and lurks on the horizon, requiring a significant shift in the way we view ourselves and our place in society.
01.2018 | Barry Morisse
AI Series: Can machines make ethical choices?
Once we start to see our ethics reflected back to us in the form of machine decision-making, are we going to like what we see?
01.2018 | Barry Morisse
Weed tourism means big business
Knowing that cannabis and the tourism dollar are fast friends would most likely have Bob Marley rolling about in his grave.
12.2017 | Denise Slabbert
Anger Series: Taking a long hard look at anger (and violence)
Read the headlines on any given day and you’ll find a new story in which the violent details take your breath away. How do we begin to fix that?
12.2017 | Martin Scheepers
Why service delivery successes in South Africa don’t always translate into community satisfaction
Despite the refrain to the contrary, living standards in South Africa today are much higher than at any point in the history of the country.
10.2017 | Frans Cronje
Wanting to work – the story of South Africa’s labour market since 1994
South Africa has not been experiencing jobless growth since 1994. Rather, it has been suffering from a skills mismatch.
07.2017 | Frans Cronje
The unlikely aesthetic premium that millennials are willing to pay for luxury goods
How millennials rent luxury lifestyles – and savvy brands are cashing in.
07.2017 | Victoria Aadnesgaard
The ethical sources of terrorist power: Understanding asymmetric war
Conventional wars are fought between states. Asymmetrical wars are different, and so are the weapons.
07.2017 | Mervyn Frost
Have you floated before? Money for nothing
The sensory deprivation tank seems fundamentally different to all other luxuries. It promises nothing.
06.2017 | Deena Dinat
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